Arts

Lucas Cranach the Elder was a sixteen-century Ger cosmos painter and printmaker in woodcut and engraving. He lived from 1472 to 1553, and painted in the Northern metempsychosis style. He spent almost his entire carier in wittenberg as the court artist to Frederick the wise and his successor, the eletors of saxony. In this ikon, The Judgment of Paris, is inunct on panel, which measures 17 x 12 ¾. The painting consists of terce naked woman standing next to each new(prenominal) wearing only neklaces and holding a clear scarf. there is also an older man in a divinity fudge like armor holding a crystal b either, all four contours atomic number 18 standing to the go away of a man who is sitting on the floor wearing armor strengthened for royalty and standing over the sitting man is a horse laced to a tree. Off to the distance on the right hand side there is a gothic castle that was built into the side of a cliff and to the left hand side the is a medieval town.
In this painting Lucas Cranach the Elder uses skill to insure that equal emphasis is laid on each subject so that one unmarried does not dominate the portrait.



The arrangement of the painting is such that the centerfield looks at the nude woman and god like figure first, they are leaning over with there eyes fixated on the knight in armor who is sitting down. The knight on the ground is looking up towreds the sky in the program line of the castle on top of the cliff, the castle has a line that runs down to the deuce women that are standing next to the two figures that are leaning. There is also a secondary oral sex of interest in these painting the horse ,the knights trusty steed, brings an authorised element to the composition. The trusty steed is positioned behind the noble knight and is tied to a tree.
The visual elements of this panting are as followed:
Line- Lines are used throughout the painting, lets start with the ladies.If you want to get a full essay, order it on our website: Ordercustompaper.com



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