Two Unique Characters in The Painter of Signs

The reader quickly recognizes that Raman wants to recreate this knob, only if is torn between the need to complete the representation in an unreasonably short amount of time and his skipper recognition that rushing willing create a inferior product. Because Raman does what the lawyer asks him to do and does it poorly, he has some "trouble" with this client (Narayan, 7). Though this is a beautiful incident, it lets the reader understand that Raman is a good man who wants more than anything else to please others.

Raman also gains benevolence because he is conflicted about his own c areer. For example, "he speculated sometimes what he would do for a living if every(prenominal)one choose the boardless notion. They might suck up him to inscribe gossip or blackmail on prevalent walls; do it on the command of one and rub it pip on the command of another" (Narayan, 14). Raman recognizes that he lives in a world that is "money-mad" (Narayan, 14). He also recognizes that he lives in a narrow world in which gossip shapes virtually every set of human relationships. Transcribing gossip onto the walls of the town might be an alternative career if sign painting be sleep togethers obsolete but it will also expose the sordid underbelly of his small town.

Raman is set against the character of the lawyer who is a "rationalist" (Narayan, 8). Daisy is the contrast idealist and one suspects that Raman is worn-out to her in part because of this idealism, which sets her aside from so many other

wad with whom he must work. She is an outsider and Raman is very sympathetic to the take of the outsider.

This is apparent when Daisy start outs to have Raman paint an advertisement for her family planning clinics on the temple walls, a move that is hotly contested by the local priest to the extent that even Daisy is forced to concede, "I don't think he'll let us use his wall" (Narayan, 59). Raman is drawn to this woman because of her determination to improve the lives of the Indian poor, but he is also fascinated by the fact that she has Anglicized her name and has adopted many of the attitudes and characteristics of Westerners. On the one hand, one suspects that Raman feels he is creation quite daring in loving this very opposite woman.

On the other, he is impacted by the opinion of others, such(prenominal) as his aunt, who believes that Daisy and Raman must share a similar rank if they are to be allowed to marry. This is less significant to Daisy than the fact that she will marry for love if and only if she is able to succeed in achieving her goals before she subordinates herself to the role of a wife and mother (Narayan, 115).

Narayan (148) makes it lead that Raman has forever been changed in some essential way by his involvement with Daisy. He is not bitter toward her, although he is deep regretful that his cherished dream will not come to fruition. He is not incensed with the elderly aunt who challenges his desire to marry Daisy. He is not even particularly angry with the fact that his own conservative attitude toward matrimony is partially responsible for the rejection he has suffered. We therefore sympathize with him because, while he fails to accept complete responsibility for what occurs with Daisy, he does not suit bitter or mean, is able to take up his trade, and is belike to find a place for himself in society.

Raman accepts many of the limitations that are placed on him by his position in society. However, his attempt to live almo
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