Religion Essay -- Morality

While the degree of religious blast has flourished and waned in various civilizations, devotion itself has never ceased to be a slur of interest. At time, it has enjoyed effusive praise while at other times it has met cold reception. Religion as explored in Madame Bovary by Gustave Flaubert and The Stranger by Albert Camus is openly criticized. Under the harsh, bald statements of realism, ethics loses its ethereal wonder and chthonic the hostile stare of absurdism, trust renounces its meaning. Flauberts protagonist, Emma, and his other characters to a greater extent oft than not possess only a careless understanding of faith, essentially precluding any of devotions positive impact. Meanwhile, Camus derides religion as a futile endeavor in an indifferent world and casts an unfriendly lighten up on the religious magistrate, who is juxtaposed with the protagonist, Meursault. Thus, Camus depicts the futile proselytizing of an absurdist man, who disregards religion, while Fla ubert illustrates the failure of religion to save a woman consumed by romanticism. In both cases, religion is criticized for falling short of delivering its purported salvation. Morality, the pride of religious followers, is much heralded as a virtue, yet Camus and Flaubert depict a different reality where religion fails to prevent im cleanity, much less promote morality. Camus calls into question the definition of morality on what basis are other people deemed to be moral or immoral? on whose consensus is that morality then heralded? From the public prosecutors point of view, the fact that Meursault hadnt wanted to see Maman, that he hadnt cried once during her funeral is sufficient evidence to condemn him (Camus 89). As the title of the take The Stranger suggests... ...bert unflinchingly peels back the amicable niceties to display religion as it has evolved into an inadequate, superficial interest for his characters. As represented in both books, religion is more a distracti on than a panacea for lifes hurdles. It fails to match the passion of Emma, who clings to religion with the same pitiful desperation as she did with her affairs. Meursault refuses to set to any sort of religious nexus and in the process, ironically origin himself up to the hostility of the world and die joyfully. While the defiance of Meursault against religion results in his absurdist happiness, the turmoil of Emmas life, caused by her romantic urges, her encumbered social position, and the repeated failures of religion, end in death by rat poison. two deaths thus signify very different lives, but religion as found in both texts is condemned.