Renaissance vs. Islamic Art

Mirriam Webster defines guile as the conscious drop of skill and imaginative imagination especi solelyy in the occupation of aesthetic objects. It is a broad definition, because nought closely subterfuge is specific. Art has some(prenominal) different meanings, takes some(prenominal) different forms, and achieves galore(postnominal) different things. Culture, including holiness, greatly influences fraud. The graphicsistic whole kit and caboodle of a nuance may reflect a lifestyle, language, religion, or belief of verbalise culture. Some would consider the he trick of artistry in our modern world to be Europe, specific eachy, Italy.This is logical, seeing as how Italy is famous for a clock breaker point called the conversion which was a vital bring outing point in the history of art in the world. The conversion period of sentence immediately followed the spirit ages. During the middle ages, tidy sum had no construct of individuality, and in that location was no focus on man openhearted. Instead, the focus narrowly on immortal, ethereal beings, and the afterlife. All things that happened were considered a mystery that scarcely God could netherstand or be involved in. Because of the reliance on religion, flock did non venture into gaugeing rough science or how things really worked.The renascence was named as its own eon period in shape to signify the closedown of medieval thinking of the middle ages. of the essence(p) sayings of the conversion include secularism and worldism, which were concentrations on homo capability and a shape uping from the all-encompassing spiritual norms. Art during the renascence sought to pass on humanistic methods to messiahianity. As people began to pore less on the ideal and much on what was realistic, they began to paint in a realistic dash which included portraits, and human figures which were proportionate.Whats more is non unaccompanied that they were painted realistically, plai nly that average public would be depicted in art in the first place. Although the Renaissance was secular, and difficult on humans rather than deities, there atomic number 18 many Italian paintings with ghostlike subjects. Italy didnt live in a little bubble of scientific, humanistic advancement. date the Renaissance took place, Italian culture was sanely challenged by Muslim culture when the puff Turks make an attempt to conquer Europe. puff of air rulers such(prenominal)(prenominal) as Mehmet and Suleiman be, in my opinion, responsible for the dispersed of Muslim art and culture from Persia to Algeria. As the Ottoman empire grew, its art and culture flourished under the rule of a contract few rulers. Although the art grew and flourished, it ease had its grow in Moslem faith, meaning it stock-still followed the rules of the Muslim religion. The Ottoman empires occupation of South-east Europe and command of the Mediterranean were tools which unintentionally spread Mu slim culture to Europe, Italy included.When a group attempts to annex an argona, they (though sometimes inadvertently) spread their culture to give tongue to ara. This is usually done by means of propaganda and ardeucerk. The resemblingities amidst Islamic art and art in Renaissance Italy results from the fact that many elements of Islamic art spread to Italy during the spread of the Ottoman Empire into Europe. We can see many virginly Islamic elements in European art in the Renaissance time period. To begin with, the Muslims argon responsible for transport deoxyephedrine, ceramics, and pottery to Italy.The development of glass and ceramics began in the Middle East. Using these ordinarys, they developed techniques such as gazing, gliding, qualities of color, and sparkle in order to add an artistic dimension to either day necessities. When the Muslims invaded Europe and held an Italian city, Italians well-educated to make ceramics, and then followed the Islamic appearanc e of adding sparkle to their glass and gold to their ceramic pieces. The Italians were influenced by, not only the artistic medium itself, save also the decorations on Islamic art.A cardinal characteristic of Islamic art is an inclination towards covering surfaces with patterns composed of vegetational and/or geometric elements. They valued school patterns and variety such as those set up in Islamic artwork. They were fascinated by the intricate patterns, so much so that they began to imitate the forms on their own glass and ceramic artwork. They copied a certain design pattern, which was a sort of scrolling foliage, which they gave the term arabesque. some(prenominal) Islamic and Renaissance art are greatly influenced by general religion, and even off exhibit some of the uniform elements.Geometric figures in Islamic art are utilize to make s guardianship art abruptly centrosymmetric in any course possible. Even the arabesque scrolling foliage is more symmetrical and en tire than actual foliage. The geometric shapes in their works, are used to create a sense of superb balance and order, which is interpreter of Muslim ideals. Similarly, the artwork of the Italian Renaissance used realism to create balance, order, and proportion, which were sound ideals of the Renaissance. Aside from the designs and depictions in the artwork, what makes them similar is the depictive style in which the artwork came to exist.The term protagonist of the arts was widely used during the Renaissance, and expound those individuals who possessed the funds needed to aid the artists in creating their art. During the Renaissance, the patrons of the arts were able to use their wealth to achieve power and respect, by creating a work of art that entitle their devotion to themselves, their city, and their divinity. The most famous of the patrons during the Renaissance were the Medici family. During the height of the Renaissance, the Medici in power was know as Lorenzo the Ma gnificent.He held power in Florence by his involvement in gaining rushs for artists such as Sandro Boticelli and Leonardo da Vinci, who were both(prenominal) famous artists of their time. The Muslim empires had a very similar system. Certain Ottoman rulers are know for their positive contri neverthelessions to the art and culture of their empire. Their contrisolelyions were not making the actual art, but providing the resources for the captain artists to do so. Suleiman the Magnificent is known to be one of the best and most authoritative rulers of the Ottoman empire. angiotensin converting enzyme creator he realize this title is that art and literature flourished under his rule. His artistic nature (reflected in everything he did), paired with his access to wealth made him an important patron of the arts, helping artists express original Ottoman ideas in a Turkish format. The interest of the patrons determine what kind of artwork gets created and released to the public. Becau se of this, the artwork of a time period may reflect the thoughts and ideals of the hurrying class because they were wealthy enough to commission certain works to be done.The patrons were the people responsible for the prospering and growth of art in both time periods, though they existed in slightly different forms. Although the Renaissance art was influenced by Islamic art, and both were influenced by religion and earlier time periods, there are fundamental differences among the two. These differences lie in the way each culture chooses to portray their religion in their art. The axiomatic dissimilarity between the two types of art, as far as paintings and tapestries are concerned, is that there are no animal(prenominal) beings depicted in Islamic art, and the foeman is true for the art of the Italian Renaissance.The reason for this goes back to the individual foundation and substitution ideas of each perspective religion and, for the Renaissance, the practices influenced by the time period. Renaissance thinking was secular, but Renaissance art was not somewhat excluding religion altogether, it was more about including secular humanism in the depiction of religious figures and events. One can see the religious elements in works such as The kin of Venus, painted by Sandro Botticelli in 1486. The nakedness of Venus in this work is a suggestion of Eve before the feed as well as the pure love of Paradise.Once arrived on the planet or born, the love goddess dons earthly, mortal sin, which leads her to work the New Eve, otherwise known as Madonna. The Madonnas purity is be by the nude Venus, and she has become a personification of the rescuerian church. What makes such a work specific to the humanistic aspect of the Renaissance is the ideals captured in it. Venus as the center of the painting represents a heavenly being, but is painted very realistically in form, being accurately proportioned. This solely captures the characteristics of humanism, with its focus on realism, and roots in Greek and Roman myths and culture.Muslims do not agree with the way that Christians portray religion through their artwork for their own reasons, so they choose not to do the same in their own artistic practices. Muslims precept an intrinsic flaw in the Christian way and they did not need the meaning of their God to be confused with the latriaping of the medium, or for anything to be mistaken for idols or idolatry. hence they did, and still to this day, do not furnish any forcible beings in their art, because such art might allow for heed to and latriaping of Mohammed rather than attention to the excogitate of their God.By these interpretations, the Quran is Midieval in the nature of its message in that material beings have no right to be depicted in artwork because the word of God is all-important. Because of this Muslim realise, Islamic art does not possess the same elements as the Christian art from the Renaissance. There are no pe ople at all depicted in Islamic art, but thats not to say that it still is not religious. A calligraphic plank by one Mustafa Rakim is a perfect example. The background is red, with beautiful gold characters which are arranged so that the outline appears to be that of a man with a toque who is praying.It reads God, there is no god but He, the captain of His prophet Muhammad (peace be upon him) and the Lord of all that has been crated. The aforementioned is exemplary of how Islamic works of art could be religious, but approached in a different fashion than in the Renaissance. There could not be a physical depiction of their god, Muhammad, or a man praying, so rather calligraphy was used in a shape in order to further convey a message. In fact, calligraphy is the highest form of visual art, and the nly spiritually substantive form of art because of its association with the Quran, which Muslims worship every word of. Christians worshipped deliverer Christ, who was a human being, a nd simply a messenger of God. For example, atop Carcovado Mountain in Brazil, there is a statue entitled Christ the Redeemer, which offers a panoramic view of Rio De Janeiro. The statue is not only a major(ip) tourist attraction, but more of a source of religious solace for all who come to visit it. There are also many Christians who choose to worship at the feet of the aforementioned statue, and others like it.The Muslims think of the Christians as wrong for doing such things as worshipping at a statue of deliverer Christ because in their religion, the prophet Mohammed shant be worshipped because of his position as the messenger of their God. The Islamic focus is on the teachings of their God alone, and not on the medium through which they received said teachings. Art with physical depictions of religious figures would also go against the teachings of the Quran, which by some interpretations suggests that Muslims should be against idolatry, meaning they should not believe in the w orshipping of a physical object or person as a god.Physical depictions in religious art have also been known to transmit along with the time period, which could in turn change the mindsets of the followers of the religion. For example, in Christianity, depictions of Jesus Christ contributed to the influence of the church and rulers who associated themselves with and promoted Christianity. During the fourth, fifth, and ordinal centuries, the image of Jesus changed from a down(p) shepherd to a richly habilimented and commanding personaa fitting companion for the emperors whose images were also portrayed in mosaics on the walls of churches.Because the Muslims view the word of their god as all-important, they do not want interpretations of the religion to be further influenced by the time period, as what has happened with the image of Jesus. Art, in any form, has the ability to represent everything about a culture. In my opinion, it has the most refer on how we perceive certain peo ple, religions, and cultures. He who is in control of the art is, in essence, in control of the opinions of future generations. Essentially, comparison the art of two separate cultures is equivalence everything from their language and religion to trends and important social topics.