Analysis of Islamic Architecture

epitome of Moslem computer computer computer computer architectureThe eternal commandment behind new-fashioned Moslem architecture is about the story that evolves from ancient cartridge clips of Islam architecture and come across towards forward-lookingism. contemporaneousness began to slowly grow since Industrial revolution st prowessed. Since the period, it has turn Moslem architecture to explore in depth with the drug abuse of mass production. At the same time, continuing the richness of Moslem architecture elements and forms with influences from Euro and how it brought to capital of capital of Singapore, which is k in a flashn to be one of the elite modern countries. The spread finished revolution is quick and challenges occur in Muslim architecture to keep up with the modern times and similarly embracing its cultural identity.The comparison between Euro and Singapore Islamic architecture for religious structure carries the same element of project modernism as religious spaces. As easy as pass of few elements of Islamic form into simplistic manner that fits in the darkness club that lives in.Academic twist as modern Islamic architecture reveals theatrical performance of different tangibles and colours to interpret Islamic perspective. The differences in the application use by Egypt and Singapore were selective yet portray the element of Islamic architecture.Commercial twist in Islamic and Singapore as multi-cultural country sets different challenges. The application of the elements atomic number 18 achiev adequate, however in site context, devotion as identity and carrying the character may be difficult overdue to the auberge that lives in, and how they perceive it differently.IntroductionThe variety of artistic festerings in todays Islamic architecture is influenced by both handed-down forms and by modernism. There was a greater openness of Islamic architecture to European styles, also alter and distinctive new approache s to the analysis of their own tradition. Whether or not it ranges from sacrilegious to religious, Islamic architecture carry the same element of style such as the geometric shapes and repetitive art.Standing still in this modern era, Islamic architecture has been far-famed for its handed-down forms. For example the concept of art rests on a basic foundation of calligraphy, geometry and, in architecture, the repetition and times of elements based on the arch. Usually there argon allied and check floral and figural motifs. Other element such as the pee and light ar also important for Islamic architecture palm tree as they contribute in generating layers of pattern for surface decoration. With these surfaces, they atomic number 18 able to transform space. Since surface is articulated by decoration, there is an intimate continuative in Islamic architecture between space and deco.AnalysisModernism in Islamic architecture ordain be covered in three aspects such as religious a rchitecture, academic as well as commercial spaces.To begin with, the aspect of modern Islamic architecture of religious spaces such as the Mosque set ups a great departure from traditionalistic to futuristic look. Resulting in hybrid twists where traditional facades of arches and domes argon grafted onto modern gritty-rises.2.1 As a lineament oeuvre of Euro-Islamic architecture, the Penzberg Islamic Centre built in a small German town between Munich and Alps, boldly demonstrates the compatibility of mosques and modernism. min arets are shortened and serve no role unlike minaret of traditional Islamic Mosque that is tall in height are usually use as a way call people for prayers.However, The grammatical construction in night scene. The minaret serves its purpose as light which illuminates the ornamental decoration wrapped around. The topic shows the model notions of enlightened Islam. Apart from the shortened minaret, whose colours sets it apart from the movement being san dstone facade, the centre is not obviously marked out as a typical religious building. The exterior already hints at the ruminative atmosphere of the prayer hall inside.The main entrance that is do to provide out by slanted cover slabs symbolizing the pages of a book, on which words from the Koran can be read. Whereas on the right, the interior has shows the modernist cerebration of working with the simplest means by having no huge chandeliers and no degenerate ornaments.Adding dynamic quality to the architecture is by playing with lights. The same find element uses often in Islamic architecture. The way the light waterfall draws attention to the ceiling and wall panels, where ornaments are applied to the unclad concrete that can be read as expressions of divine boundlessness. The abstracted paladin motifs contain The 99 Names of God such as The just about Merciful and The Utterly Just in calligraphy.Modern Islamic Architecture can exist anywhere in Europe since Europe so ciety can keep with constantly developing innovation and the idea of reasonableness faith but not tradition that is set in stone. In Europe, the mosque of today must represent a distinct type that reveals the twentieth century that is when it meets the fitting choice for future generations.Modern Islamic architecture may took over in Europe, going back to local context, Euro-Islamic architecture are also influencing Singapore. Singapore is well known for here and now architecture building that surrounds the entire city. Modernity is what Singapore falls under. Overshadowing the diachronic sites, modern Islamic architecture in Singapore is becoming more than(prenominal) dominant.The second case studies in local context for religious building are the Assyafaah mosque located at Admiralty lane in Singapore.The Assyafaah MosqueThe Assyafah Mosque uses a coetaneous interpretation of the arabesque, a universally recognizable symbol of Islamic wile and Architecture, to create an orig inal identity for the modern mosque. The use of the positive arabesque, a double arabesque to make the notions of overlapping geometries more explicit and negative arabesques are seamlessly incorporated in the design of this mosque. The architects state that the use of the arabesque patterns to symbolize the Qurans attributes provides a link to the past.The minarets were do in modernist way. It is similar to Penzberg Islamic centre minaret which is done in a simple form. The minaret of Assyafaah mosque is a symbol of alif which is the first earn word of Arab language. The idea of integrating letters as minarets further accentuate Islamic architecture elements rather than using complex calligraphy form.The tugboat free prayer hall framed by its ribbed and arch fairfaced concrete structure rising from the floor and opening upwards towards the quatern volume in front of the mihrab wallThe three-dimensional arches, which serve the purpose of transferring the structural loads of th e upper three storeys help provide a column free span in the lower prayer space. The concrete arches are a great prove of how the architect explores usage of material which look as raw yet prove to be esthetically pleasing. At the same time, they serve to guide the eye of the user towards the four-storey high stain clad mihrab wall, bathed in natural light.The light filtering through, very a good deal a-like to Tadao Ando style of playing with lights.Again, the nature of keeping elements of Islamic architecture by using natural light to seep through the calligraphy simulate frames which act as light filtering, making the facade to look more lacy by trapping some light and diffuse it with most(prenominal) subtle gradations. The uses of geometric facade assure the Islamic architectural method of using optical effect shows how different thicknesses of frame define the forward-looking effect.2.2 Apart from religious building, academic buildings in Islamic architecture are as well influence with modern contemporary architecture.The third case studies for academic buildings are the Bibliotheca Alexandrina in Egypt. The structure illustrates the rich historical and quick modern evolution of the Islamic past. The design portrays the idea of openness, containment and all encompass knowledge in its main geometric form, the circle. Partly, Islamic elements such as the geometric patterns permitted an interrelationship between the parts and the whole building complex.The Bibliotheca Alexandrina outside facadeThe stone walls of the libraryThe idea of openness with the integration of water. As an influence of Islamic architecture, water reflects architecture and also serves its means by emphasizing the visual axes. Like the mirror, they give fluidity, dynamic yet show the static architecture.Besides having literal water elements, another way to represents acres element reflected in one of the Modern Islamic academic architecture in Singapore which is Al-Mukminin Ma drasah located in Jurong East.Exterior building of Al-MukmininFor the fourth case study is about the building as heart and soul modernization of Islamic architecture. Arabesque pattern is not evident in this building, however, the building play with colours despite no vivid traditional form. The rudimentary exploration of this facade is the use of Islamic colours to represent water, tilt and ground. The multi-shade colours also gives an optical illusion effect from far, creating dematerialisation which is one of the technique element that from Islamic architecture usually use in traditional times.2.3 The last aspect besides Religious and academic building are the commercial building. One of the examples for commercial building for Islamic architecture would be the museum of Islamic Art in Qatar by I.M Pei. He uses geometrical forms and consonance applied for the design concept. Clearly, it is not a hybrid futuristic building which usually uses metal and glass cladding as the f acade. Instead, he uses limestone marble which gives the smooth touch against the solid form building. As compared to traditional times of using mud brick construction, the limestone marble gives off the modernistic look and also how the block are arranged in sequence manner in parallel.Museum of Islamic Art Exterior Front and InteriorThe front enchant of the museum shows two pillar which look like the modern minarets. Traditional domes are not seen evidently, however in the interior, tall arches are not seen sooner walls slanted in symmetrical direction toward the ceiling in geometrical forms that creates spherical domes made up of geometric shapes. The dome also gives a hint of natural light to pass through. Elements of Islamic principle are still applicable to commercial spaces. The aim to enhance space through patterns proves dynamically interesting for a modern Islamic building. The solidity of the forms made up is in repetition direction along with different proportions whic h wherefore allows the eternal principles of Islamic architecture of rhythmical movement.The last case study for Commercial buildings as modern Islamic architecture is the Haniffa, a famous textile company originated from India, the building is located by Keng Lee road, Singapore. The building shows strong influence of Euro-Islamic architecture.ConclusionIn conclusion, the desire for rapid development has brought in influences from Western architecture to Islamic architecture due to the Industries revolution that pushes the Islamic architecture to move forward by understanding the essence Islamic principles in architecture and then allows modern building technology to be the tool in the expression. Tool of expression in harm of the mass production of materials has become an advantage for designers to explore with the possibilities of transforming forms by abject away from traditional techniques into modern ways. Such application is strongly reflected on Singapore context for Isl amic architecture. Most Islamic architecture buildings in Singapore were made in modern ways. However, the challenge that is set for Singapore is how it may stand apart from other non-Islamic architecture tall buildings that rich person been the ultimate identity of Singapore. In order to create modern Islamic architecture identity should be more evident, and the relevance to eternal principle of Islam is important. This can be achieve by creating forms in relation with traditional Islamic elements that evolves through modern approach and at the same time carry its own characteristic. Hence, the regional identity of Islamic architecture will then become an evolution to modern Islamic era.List of references crowd together Steele 1994 Architecture for Islamic Societies Today, Academy Editions / The Aga Khan Award For Architecture, St.Martins Pr, United dry landCristian Welzbacher 2008 EURO-ISLAM Architecture (The New Mosques in the West), Sun Publisher,Saudi ArabiaRenata Holo, Hasan Uddin Khan 1997 The Mosque The Modern World, Thames Hudson Publisher, AustraliaMarkus Hattstein, son of a bitch Delius 2004 ISLAM Art Architecture, Konemann, New YorkRichard Ettinghausen, Oleg Grabar 2003 The Art and Architecture Of Islam 650-1250 , Yale University Press, ConnecticutPhillipa Baker 2004 Architecture Polyphony Building in the Islamic World Today,Thames Hudson Publisher, YemenBibliographyhttp//www.miesarch.com/index2.php?option=com_contentview=articleid=10Itemid=16obraid=251http//www.architecture-page.com/go/projects/assyafaah-mosque-singapore__allhttp//www.bibalex.org/english/aboutus/building/architecture.htmhttp//www.fivefootway.com/2009/06/30/forum-architects-madrasah-addition-to-al-mukminin-mosque-blends-traditional-values-with-contemporary-colour/http//de51gn.com/design/the-museum-of-islamic-arts-by-im-pei-opens-in-Qatar/