The film I chose for analysis is Once Upon a era in Mexico. I viewed this film on November 17, 2003 at the driveway Islands Theater in Oxnard. The structural effect I am critiquing is the dynamic editing effect. This film is full of very tight paced action scenes throughout the entire film. To really understand and watch over up, one must have a good analytic mind because there are several story lines that break down in together at the end.
Robert Rodriguez has impressed me so a good deal that I must comment on him. He is an nasty and talented man. He was not only the director this film, he was also the writer, producer and editor plus the credit give tongue to he chopped, shot and scored Once Upon a Time in Mexico. He personally operated the video camera and the new Sony 24-fps digital Hi-Def camera, so he knew the precise effect he was curious for. Before shooting the scenes he storyboards some of them in a cartoon fashion, then shoots them on video before put down the actual scenes. He implements the most up-to-date technology in his films. In Once Upon a Time in Mexico, he used the Sony digital hi-Def technology camera compositions that include gravid facial close-ups, making landscapes of the faces and the classical western shoot-outs.
His action sequences attain humor and are also a salute to the archaic Sergio Leone westerns. This film included Dolby digital, Sony digital dynamic sound and Dolby stereo. He made violence in the film choreographic. The Rodriguez epic is more than fascinated in the moment, in great shots, in surprises and ironic reversals and close-ups of sweaty faces then in a rational story. The film feeds on the music of heroism and sorrow. This story is in bold, vivid colors. He goes for sensational...
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