EDGAR DEGAS & GUSTAVE COURBET

Under the bather's feet Degas has applied a value contrast shading to achieve a mirror effect so that the woman's image is reflected during the water and tub giving very good depth towards picture inside a vertical axis.

Woman is done in a realist and impressionist style. It's representative of realism because it depicts a modern day setting and current life, with no attempt at censorship. We see a single firm perfectly shaped breast over a bather's left side. Woman is also in the realist mode due to the fact the artist is studying the bather dispassionately. The observer understands that the bather has no concept she is becoming seen in one of an individual's most individual rituals, the bath. The brushstrokes and blurred affect they create make the jobs also representative on the impressionists, but the hues are not bright sufficient to affect the out-of-doors use of light from the impressionists. We also see that this work is representative of Degas' use of cropped spaces achieved from an accidental angle of observation. We see the bather from an odd and accidental angle, appearing to become below her and behind her as she is caught in a split second pose dipping her rag into the bath water. We see Dega has captured unplanned naturalism by an accidental viewpoint of an awkward but natural moment.

Courbet along with Manet helped type the variety to be known as realism. In this kind of painting, all imagina

 

tive subjects are rejected as one thing not visible on the human eye, i.e. mythological, religious and fantastic images. Courbet believed that a painter can only paint what he can see and no matter how good at fooling the eye an artist might be if he painted imaginative figures he was painting illusions. Courbet's works have been also harshly criticized for their depiction of coarsely materialistic subjects, so significantly so that they were labeled socialistic. In Young Bather, we see a nude woman in additional graphic detail than Woman. Though the title says this can be a young bather, the woman truly looks being within the age of 40. The woman's breast, buttocks plus a hint of pubic hair are visible for the observer. She is dipping a toe into a stream that meanders from your picture within the foreground towards the background giving the picture depth and fluidity. She is clutching a single hand onto a tree limb overhanging the stream, and the other is positioned more than her head. Her white skin creates a profound value contrast on the dark brown tree trunk behind her and her white arm in front of bright green leaves even though another white arm lays across her red hair.

In Young Bather the viewer gets an additional dispassionate look into the personal ritual of an unsuspecting individual. The use of earth-tone colors makes a striking impression of the beautiful sunny day seemingly achieved just for this moment for this bather. Courbet uses the palette knife to add surface richness to.

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