These experiences, the dual repression regimes that they had experienced first in China after which in Indonesia, marked each Lee and his family. Even after they discover much more tolerant homes, very first in Japan after which in Pennsylvania - where Lee's father finds his calling as a minister - Lee paints a portrait of the household which will never truly be house again.
The story of a homecoming is one from the essential narrative tropes inside Western literature - and within several non-Western literatures as well. At the starting on the book, we expect Lee to supply us with just these kinds of a story, a story of "there and back again" as Tolkien would label it. We do not expect Lee's household literally so that you can return to China; it is clear from Lee's very first descriptions (and from our unique knowledge of China during this era) that there will likely be no turning back, no return for this prodigal family. And yet we do expect at least a metaphorical homecoming: We expect that this family, who like Moses or Ulysses need to wander in the wilderness, will find its way from the end to a spiritual home.
Whether they do or not is somewhat ambiguous due to the complexity on the book's structure and Lee's insistence on utilizing poetic narrative structures after prose ones would serve his storytelling far better. But overall our impression is that this can be a family that is in some fundamental way eternally lost and Lee one of the most lost of all of them. While Lee clearly considers himself being the winged seed that is certainly overshadowed by the parent tree - in this case, his father instead of his mother - on one more level of reading we can see how the entire family is as a winged seed that has been blown as well far from household and that has fallen on soil that will never nourish it.
These a couple of possible readings with the book's title as well as the work's central metaphor appear to contradict every other, but they can also be observed as complementing every other. Lee is overshadowed by his loved ones and in particular his father even because it can be genuine that the loved ones has been blown far afield to try to grow inside a country in each way a variety of from its property soil. There's also the suggestion that Lee would were freer of his family, much less stricken by the past, if the family had not been transplanted so far from home.
These are critical motifs in significantly of contemporary and postmodern literature, and we want to realize Lee's specific riff upon the question of whether one can go household once again or not (and if residence can nevertheless be residence so many thousands of miles distant so lengthy being a loved ones remains intact), but we are left in the end unsure of Lee's intent or message. He laments the past - as from the following passage - but we are left unclear as to regardless of whether this lamentation arises due to the fact the past is too significantly with him and his family members or as well little:
Place there is none.
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